Patinated iron chairs by Luigi Serafini’s Suspiral. These chairs are surreal, sculptural pieces inspired by his fantastical visual language. Their organic, spiral-like forms blur the line between functional furniture and art. Serafini is best known for Codex Seraphinianus, an enigmatic illustrated encyclopedia of an imaginary world. Twelve pieces available, price per piece.

Designed and made in Italy, circa 1980s by Sawaya & Morini.
Provenance: Private residence, Paris, France.
Shows light wear consistent with age. In good vintage condition.

Overall dimensions:
Height +/- 103 cm
Depth +/- 41 cm
Width +/- 44 cm

3-D vacuum-formed plastic multiple, produced in 1968, edition of unknown size. Comes with the accompanying book Lucio Fontana, published by Achille Mauri, Milan, with the original cardboard packaging. Framed in a wooden oak box with highest-grade museum glass.

A rare late multiple by Fontana, produced in the final year of the artist’s life. The work presents his Concetto Spaziale as a three-dimensional, industrially produced object, exploring the relationship between art, space, material and reproduction.

The multiple is documented as M-15 in H. Ruhé & C. Rigo, Lucio Fontana: Graphics, Multiples and More, p. 165.

Designed and made in Italy, circa 1968.
Provenance: Private Collection Milan.
Shows very light wear and decolorization consistent with age, very good condition.

Dimensions of the artwork: 29,5 x 29,5 cm
Dimensions of the frame: 38,4 × 38,4 cm

Selected similar auction results:
€44.000 hammer price (ex. hammer fee) - Martini Studio d’Arte, Brescia, 2026.
£16.250 hammer price (ex. hammer fee) - Phillips, London, 2013.

Stained pine coffee table, designed by Axel Einar Hjorth for Nordiska Kompaniet, Sweden, circa 1930s. Three-part base, reminiscent of the Rubin Vase by Edgar Rubin.

This specific table was sourced from an interior furnished with the ‘Lovö’ and ‘Sport’ series, designed by Axel Einar Hjorth and ordered from Nordiska Kompaniet for the family’s summer residence in 1930. The tabletop has been replaced with a larger-diameter top from Nordiska Kompaniet, making this a unique piece.

Designed and made in Sweden, circa 1930.
Provenance: Private Collection Sweden.
Shows light wear consistent with age, good vintage condition.

Overall dimensions:
Height: ± 62 cm
Diameter: ± 110 cm

Depending on your location, there may be additional transportation costs.
Please contact us in advance if you would like an exact quotation.

Pair of club armchairs, after a design by Jean-Michel Frank and Adolphe Chanaux in the 1930s. This is a later production, made in the 1980s or 1990s. Similar models are seen in the work of Peter Marino, such as the interior of Giorgio Armani's Milan home.

Very comfortable down-filled club chairs, reupholstered in Belgium with Belgian butter-yellow linen. Original laminated wood legs.

Provenance: Private residence Madrid
Shows wear consistent with age, good vintage condition.

Overall dimensions:
Height: ± 79 cm
Seating Height: ± 40 cm
Width: ± 85 cm
Depth: ± 80 cm

Depending on your location, there may be additional transportation costs.
Please contact us in advance if you would like an exact quotation.

One of the earliest Akari lamps to leave the workshops of Gifu. This sphere of 55 centimeters is one of the purest forms in Noguchi's light sculptures.

Red sun and half-moon ideogram stamp (when you know, you know). So here you have it: a first edition piece, made by Ozeki & Co. between 1954 and 1964. Handmade from washi paper, drawn from mulberry bark, and stretched over a bamboo frame.

Noguchi conceived the Akari series in 1951 after visiting Gifu, where paper lanterns and umbrellas had been made by hand for centuries. He borrowed the technique and made it his own. Noguchi compared the glow of his lamps to the transience of cherry blossoms or falling leaves - and we love this thought.

Very good condition, consistent with age and use. Paper shade fully intact. Original wiring, can be adjusted on demand.

Overall dimensions:
Diameter: 55 cm

Depending on your location there can be extra transportation costs.
Please contact us in advance if you would like to receive an exact quotation.

Slightly decorated, yet simple Art Deco gaming table, designed by André Léon Arbus for a private residence in Toulouse.

Made from mahogany and mahogany veneer, this game table has a foldable tabletop. When opened, there is an edge in mahogany and a top inlay finished with green felt. The edge has a Greek key pattern (frise à grecques), also called a meander, probably in gold leaf. The hinges are in brass. Comes with full provenance, including the original purchase invoice.

André Leon Arbus was a French architect-decorator and furniture designer who shaped a refined, classically inflected Art Deco style. Working at the same elite level as Louis Sognot, René Drouet, Maison Dominique, and Jean-Michel Frank, he was a central figure in the 1930s Paris design scene.

By the time he reached his early thirties, he was already recognized as a key figure championing French craftsmanship and a renewed appreciation for tradition. Critics such as Waldemar George praised him for embodying the continuity and coherence of 17th-century design, which they viewed as essential for the future of modern furniture. After 1946, he was appointed one of the designers working for the Mobilier National, contributing to an extensive effort led by Georges Fontaine to refurnish government ministries and state residences.

Designed and made in France, circa 1934.
Provenance: Private Collection Toulouse.
Shows light wear consistent with age, two small holes in the felt.
In good vintage condition.

Overall dimensions (closed):
Height: ± 72 cm
Width: ± 45 cm
Length: ± 90 cm

Depending on your location, there may be additional transportation costs.
Please contact us in advance if you would like an exact quotation.